Oh, and it's crazy. Often hilarious. The banter between Amy and Rory is most of the best we've seen among those characters. I specifically enjoyed Rory's "We're inactive, aren't we? The pick up fell and we're useless. We're dead. Again. " Setting up, it helps that I are inclined to love every line that ever equates of Rory's mouth, but however I have to say which i even enjoyed Amy, a new character who usually frustrates me personally to no end. Moffatt has often touted Amy as being a great character because she's "mad, " but it's rare that we see this from the girl. Her plan to open the door for that dolls rather than hide is a superb moment for the persona, even if it doesn't movements as she planned. And the Doctor gets some great lines in addition. The reference to "Snow White as well as the Seven Keys to Doomsday" is sure to make you grin when you get the reference and as a minimum chuckle if you don't.
I'm not surprised until this episode was so separate, since it's widely regarded among Doctor Who fans that it was actually intended that will air much earlier inside the season, after "The Doctor's Wife" yet before "The Rebel Flesh. " It was moved in order that a greater variety of stories may very well be told in the first half in the series ("Curse of that Black Spot" was designed to air in this position), and I will sort of see the key reason why. Havign Amy and Rory broken up from the Doctor for a lot of the episode is quite very much alike "The Doctor's Wife, " and the father/son issues here sometimes appears as a weird inversion of those in "The Rebel Flesh" plus "The Almost People. " Thus, there are also quite a few strange resonances between the following episode and last days, what with the greatest war criminal with the twentieth century having been shoved inside a cupboard and forgotten about, and now a baby is told to metaphorically set all his fears inside a cupboard. In any situation, it does create a large number of jarring tonal issues, as though Amy in addition to Rory have stopped caring within the search for their little princess (But maybe we're supposed to understand they've, because they now be familiar with her childhood? It had been never clear last week). And the reference to the Doctor's remaining fate was shoehorned in the final shot of the particular episode, obviously as some sort of last-minute change to assimilate the episode into it has the new position.
It's a bit strange to determine a standalone episode like this in the middle of Doctor Who's most serialized year in decades. Part of me wants Moffat would commit a proven way or the other, to complete an entirely serialized story so they can do mostly standalone symptoms like his predecessor, Russell CAPITAL T Davies did. The existence of episodes this way (and its counterpart from this spring, "Curse of the Black Spot") make Series Six a little an odd duck when viewed in its entirety. But here and right now it's hard to complain with regards to an episode as enjoyable, scary, and touching while "Night Terrors".